Henri De Toulouse-Lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
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Henri De Toulouse-Lautrec La Goulue,Dance at the Moulin Rouge oil painting


La Goulue,Dance at the Moulin Rouge
mk156 1891 191x117cm
Painting ID::  40829 		Henri De Toulouse-Lautrec
La Goulue,Dance at the Moulin Rouge
mk156 1891 191x117cm
   
   
     
Henri De Toulouse-Lautrec At The Salon Rue des Moulins oil painting


At The Salon Rue des Moulins
mk156 1894 115.5x132.5cm
Painting ID::  40833 		Henri De Toulouse-Lautrec
At The Salon Rue des Moulins
mk156 1894 115.5x132.5cm
   
   
     
Henri De Toulouse-Lautrec Jane Avril to the Jardin the Paris oil painting


Jane Avril to the Jardin the Paris
MK169 1893 Litho 129x94cm Musee the drawer Publicite Paris
Painting ID::  42795 		Henri De Toulouse-Lautrec
Jane Avril to the Jardin the Paris
MK169 1893 Litho 129x94cm Musee the drawer Publicite Paris
   
   
     
Henri De Toulouse-Lautrec Woman Seated in a Garden oil painting


Woman Seated in a Garden
mk170 1891 Oil on millboard 66.7x52.8cm
Painting ID::  43350 		Henri De Toulouse-Lautrec
Woman Seated in a Garden
mk170 1891 Oil on millboard 66.7x52.8cm
   
   
     
Henri De Toulouse-Lautrec The Jockey oil painting


The Jockey
mk178 1899 color lithographies 51.8x36.2cm
Painting ID::  45909 		Henri De Toulouse-Lautrec
The Jockey
mk178 1899 color lithographies 51.8x36.2cm
   
   
     
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     Henri De Toulouse-Lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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